Embodying objects

Selma Mataich’s BA thesis Embodying Objects explores fashion as a tool for artistic work, studying
how garments are defined, and where the limits of that definition lie, approaching dressing as a
performative act. What kind of things do we wear consciously, and what unconsciously? This
dichotomy is carried through the research to the collection, where it manifests itself as the core
theme, touch. The ensemble consists of wearable sculptures that combine working methods related
to fashion and visual art. All five pieces are worn only through touch, meaning that they stay on the
body through the active presence of the wearer with their hands. This theme continues in the
materials, which are a product of intuitive handwork.

“How does the attitude towards a garment change when it requires complete presence to be worn, for

the wearer and the viewer?”

The collection is approached as a process-based exploration of research through materials and
shapes. It is constantly evolving and alive.
“I am constantly surprised by the outcomes, which is what keeps me interested to delve deeper. Every
piece is its own material exploration, that gave me the opportunity to try out different techniques like
Multiweave, a new weaving technique, and how glass could be combined with soft materials. I speak
through my body and my hands turn the formless meanings in my mind into physical, concrete,
tangible objects.”

Contact information:
Selma Mataich
Selma.mataich@gmail.com
+358 443444401
@selmataich